Girl Meets Geekdom

Sony has just released the Monster House Trailer, which has me bouncing off the walls with excitement. Why, you ask? Monster House happens to be the film that I got to work on as an intern at Sony Imageworks two summers ago.
The film is directed by Hollywood newcomer Gil Kenan, and produced by Steven Spielberg and Robert Zemeckis. It utilizes the same “performance capture” technology as Polar Express, but the movement is a little more natural. For one thing, they did have kids act out the kids roles so there is none of that scaling down Tom Hanks business, plus I beleive the animations have more freedom
I saw the animatic for this film in the early stages of production, and the familiarity of the trailer amazes me. I guess that goes to show how much planning goes into a CG film. Anyway, I highly encourage everyone to see the movie when it comes out. If you subscribe to my blog, you can count on me to give you regular reminders!

For those of you who follow studio news, you know how shaky Disney has been this past year. After nearly 70 years of Disney feature animation, the studio leaves behind its old traditions to become the newest latecomer among all-3D animation studios. The news ending Pixar’s partnership with Disney coupled with criticism of Michael Eisner and the announcement of his resignation spark many speculations to the future of Disney. This weekend marked the release of Disney’s first all-3D feature, Chicken Little–the film the defines the future of Disney Feature Animation. For those of you who were holding your breath, you can let out a sigh of relief now.

Despite less-than-stellar reviews, Chicken Little finished first at the box office with a projected $40 million. Although this is nowhere near the vicinity of ~$70 million openings brought in by the Pixar/Disney team, it has outdone industry predicted figures, making it the second-biggest opening in Disney history following the Lion King.